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Following is a list of museums and ASI ticketed monuments in and around Bhubaneswar:

1. Odisha State Museum, Bhubaneswar. (branch museums at: Puri, Dhenkanal, Salipur, Khiching, Baripada, Balasore, Nuapara, Bhawanipatna, Balangir, Jeypore, Baragarh and Koraput)
2. Museum of Tribal Arts and Artifacts, Bhubaneswar.
3. Regional Museum of Natural History (RMNH), Bhubaneswar.
4. Regional Science Center, Bhubaneswar
5. Handloom and Handicrafts museum, Bhubaneswar (being set up)
6. ASI Museum in Konark.
7. ASI Museum in Ratnagiri.
8. ASI Museum in Lalitgiri (being constructed)
9. ASI Ticketed Monuments (Konark, Udaygiri and Khandagiri caves, Rajarani temple, Lalitgiri, Ratnagiri)
10. Srikhetra Culture Museum, Puri (being constructed)
11. Dhenkanal Science Center. (Kapilas Science Park.)

Following is a list of live museums in and around Bhubaneswar:

1. Nandan Kanan, Barang
2. State Botanical Garden, Barang
3. Regional Plant Resource Center (Ekamra Kanan), Bhubaneswar (with a cactus garden, arboretum, orchidarium, bamboosetum, wild fruit garden and palmetum)
4. Medicinal plant garden, Patrapada, Bhubaneswar
5. Jayadev Vatika, Kenduvila (30 kms from Bhubaneswar)
6. Jayadev batika at Khandagiri.
7. Ekamra Vana (Medicinal plant garden), around Bindu sagar lake, Bhubaenswar
8. Various parks in Bhubaneswar.
9. Aquarium at Nandan Kanan.
10. Aquarium at CIFA, Bhubaneswar
11. Aquarium, Puri (planned)

Others:

1. Sudarshan Sand art institute, Puri.
2. Raghurajpur artisan village.

Following is from a report in Indian Express.

The Tribal Museum here is up for a makeover. Located on the premises of Scheduled Caste and Scheduled Tribe Research and Training Institute (SCSTRTI), the archives displays objects from almost every tribe. The institute is the only government-run tribal museum in the State and  attracts hundreds of visitors from abroad each year. A few years back, it was identified as the best among the 21 tribal museums in India by Unesco.

 Apart from the existing five galleries in the Museum that houses ornaments, paintings, photographs, hunting tools, agriculture implements, musical instruments and Dokra items,  the authorities are setting up another Primitive Tribal Group (PTG) gallery on the institute’s 18 acre campus. Construction of this gallery is underway and after completion, it would adorn artefacts related to 13 PTGs in the State.  Plans have also been drawn up to rope in tribal artisans and use the institute premises as a live museum-cum-platform where tribal artisans would get the chance to display and sell their products. This apart, the Ministry of Tribal Affairs has sanctioned ` 40 lakh for beautification of the Museum this year that would entail landscaping, construction of pathways and plantation of trees like Sal, Mohul, Bamboo … "… The land behind the five hutments within the Museum will be used for setting up small forests that are typical to a tribal habitation,” said Museum in-charge Trilochan Sahoo, adding stone statues of tribal deities will also be installed. Besides, touchscreen kiosks will be set up in each of the existing five galleries where short films on tribal livelihood will be screened for interested tourists. The Tribal Museum has around 2,247 tribal artefacts, 34 items of textiles of 10 tribes and 927 ornaments of 25 tribes. The five huts within the premises are of Santal, Juang, Gadaba, Saora and Kondh tribes.

Tribal Dance Festival

The three-day Tribal Dance Festival will  be organised this year by the SC & ST Development Department from December 12. … every day during the festival, five tribal dances will be showcased and this time, tribals from Chhattisgarh, West Bengal, Jharkhand and Andhra Pradesh have been invited to perform besides the those from the State.

Following is an excerpt from http://www.dnaindia.com/analysis/column_archives-are-just-not-enough_1568965.

Bhubaneshwar, in Orissa, would seem like a rather laid-back capital city for those who’ve lived in some of the fast paced metros of the country. But what stands out at every corner and along the length of the roads here is the fact that the city does more than its best to showcase its traditional art forms by making it part of the graffiti on compound walls. That’s not all. It also brags of not one, but three extremely well maintained museums — there’s the state museum, the tribal art museum and the contemporary museum — that can give tourists and visitors an impressive glimpse into the culture and tradition of the city, which could date back to 1,000 BC. Orissa is probably one of the very few states that can also brag of letting a section of their forests and its inhabitants (read tribal groups) untouched and unharmed even today.

Following are excerpts from a report in Orissadiary.com.

… the Government of Orissa planned to renovate and conserve eight heritage properties currently in different stages of ruin, along the coast. This special initiative is a part of the Integrated Coastal Zone Management Project, which is being implemented in Orissa along with Gujrat and West Bengal with support from the World Bank. 

… A special consultancy with funding support from with help from “Italian Trust Fund for Culture and Sustainable Development”, was undertaken to identify opportunities to promote local economic development connected to conservation of the built heritage and to promote linkages with conservation of traditional stone craft and enhancement of the State Museum at Bhubaneswar by LASA – INTACH consortium being facilitated by The World Bank.

… The eight significant heritage sites earmarked for restoration and tourism promotion are Bhaba Kundaleswar Temple of Manikpatna and Baliharchandi Temple in Puri district, Harihardeva Temple of Nairi in Khurda district, Potagada Fort, British Cemetry of Ganjam and Bateswar Temple of Kantiagada in Ganjam district, Jagannath Temple of Pentha and Jamboo Colonial Building in Kedrapara district.

… The preservation and restoration work would be implemented in next five years and Rs.7.41cr will be spent on this component as per the ICZMP plan. Preservation of cultural heritage and monuments along coastal stretch will be undertaken through the involvement of experts like LASA-INTACH. The work will undertake the structural conservation, chemical conservation, environmental up-gradation and illumination of the monuments. Primarily, the aesthetic and grand classic look of the monuments and the cultural sites will be maintained. Any contemporary work and intervention will be avoided to preserve the historical and physical integrity of the cultural property. The monuments are selected on the basis of their architectural, sculptural, historical and religious importance among the 160km coastal zone of the ICZMP pilot project area. …

BHABA KUNDELASHWAR TEMPLE at Manikpatna, Puri

The Shaivite temple is situated in Manikpatna village close to the new sea mouth of the Chilika Lake. The temple is a State protected monument and covered under Orissa Monuments Preservation Act, 1956. The temple is a part of a larger piligrimage route linked with the Jagannath temple at Puri. The temple marks the site of the blessing to the Gajpati Purushottamadeva on his famous Kanchi-Kaberi expedition. The legendary Manika, a milkmaid from the village, believed to offer curds to Lord Jagannatha and Balabhadra at the temple sites. The folk-lore suggests Lords are part of the royal army to bless the Gajpati.  

HARIHARADEVA  TEMPLE at Sanannairi, Khorda

This twin temple of Shiva and Vishnu is a State protected monument and covered under Orissa Monuments Preservation Act 1956. As the legend goes during the campaign of Kalapahar, the invader, when the Jagannatha temple at Puri was desecrated, the images are believed to have been brought here and hidden on an island, which is about 10minute boat ride away. They were also kept in the Harihar temple for some time.

POTAGADA FORT AND CEMETRY at Potagada, Ganjam

The construction of the unique star shaped fort was commenced in 1768 by Cotsword. The adjoining Cemetery contains interesting monuments in form of tomb stones. The French were the earlier settlers in this place who were later driven away by the British. The local folklore is that the site was under a curse and therefore an epidemic broke. The fort was surrounded by a moat.

The cemetery is one of the earliest one of British Administrators and comprise tombstones with spire like monuments in masonry.

HARCHANDI TEMPLE AT BALIHARICHANDI, Puri

The Shakti temple, 800meter away from the sea coast is under the State Preservation Act of 1956. The Bakiharichandi temple is 27km from Puri and linked through ritual and patronage, to the Jagannatha Temple complex at Puri. There are multiple stories about inception of this temple. The Goddess is believed to have killed Kalapahar at the temple spot. The temple also marks the spot where Indra’s Vajra, Shiva’s Trishul and his anger, in the form of the fire (Agni), as well as the wind and the sea come together. 

OLD BUILDING at Jamboo, Kendrapara

The structure is a nineteenth century building that had been used for administrative purposes and cyclone shelter by the British.

STATE MUSEUM, Bhubaneswar

LASA –INTACH consortium; have developed the master plan of the State Museum with the inputs from the experts including the Italian experts. The inputs from Italy would certainly help to make our State museum world class.  

Following is from http://pib.nic.in/newsite/erelease.aspx?relid=71775.

The Buddhist relics found during an excavation at Lalitgiri in Orissa are proposed to be housed in a museum. The Excavated Buddhist Site, Lalitgiri was notified as Centrally Protected in the year 1937. The site has been extensively excavated by the Archeological Survey of India (ASI) during the year 1985-1992. The remains of a massive Stupa including a relic caskets consisting of four containers made of Khondalite, Steatite, Silver and Gold containing corporal remains have been recovered during the excavation, besides other important structure and archeological remains. At present, the relic caskets are in the safe custody of Superintending Archaeologist, Bhubaneswar Circle, ASI, Bhubaneswar, Orissa. Further, In order to set up a site museum at Lalitgiri the site has been inspected and preparation of detailed drawing (Plan, Elevation, Design) of the proposed museum building have been initiated by the Bhubaneswar Circle, ASI.

The relic –caskets containing Buddhist bone relics would be housed and displayed for the public under adequate security and surveillance

Note that a similar museum exists at Ratnagiri. See http://asi.nic.in/asi_museums_ratnagiri.asp.

In the facebook note http://on.fb.me/puspagiri-links we have collected various links about Lalitgiri, Ratnagiri, Udaygiri and Langudi hills. We are trying to find out  what archaeologists and historians think regarding the  existence of ancient Buddhist Universities in Odisha. The information about Madhavapura Mahavihara (in Udaygiri) at http://asi.nic.in/asi_exca_2005_orissa.asp looks interesting in that regard.

Following is from Samaja.

The above article says that this tribal museum is the best museum of UNESCO. I think what it means is that UNESCO designated it the best tribal museum in India. My interpretation is supported by a 2008 news report from Telegraph. Following are some excerpts.

Orissa Museum of Tribal Art and Artefacts will soon be a little more interactive and organised, thanks to the United Nations Educational, Scientific and Cultural Organisation (Unesco) that has offered to help.

The capital’s tribal museum showcases one of the widest variety of indigenous tools, weapons, baskets, pottery, textiles, ornaments and ritual objects and was recently identified as the “best” among 21 tribal museums in India.

Unesco has offered museum authorities a chance to get more systemic with scientific documentation of every exhibit.

“We plan to mention certain facts such as the area of origin, the motive or purpose behind the item, its socio-cultural implication and the material used. Digitisation of the documents and data would make each object easier to understand,” said special officer on duty S.C. Sahoo.

… Located on the premises of Scheduled Caste and Scheduled Tribe Research and Training Institute, the archive displays objects from almost every tribe.

The Museum of Tribal Art and Artefacts currently houses about 2,247 artefacts.

There are dresses and ornaments, dokra items, musical instruments, hunting implements, fishing nets, weapons of offense and defence, agriculture tools, household objects, personal belongings, tribal art, photographs and terra cotta items in the archive.

Traditional costumes such as the ringa of the Bonda tribe, phute sari of the Santhals and gatungkap of Lanjia Saora can be seen at the museum — one of the few places that showcases such clothes.

Ornaments such as tangam of Lanjia Saora, shaska of Kutia Kondh, kunti of Juang and necklaces such as take mecodica of Dongria Kondh, puste of Koya, dabu and lubeida of the Bonda — are also a part of the unique collection.

The institute campus also houses five huts made according to Santhal, Juang, Gadaba, Saora and Kondh styles.

Following is from a report in Odishatoday.com.

A handloom and handicraft museum would be set up soon at Jayadev Batika near Khandagiri on the outskirts of the capital city, Textile and Handloom Minister Anjali Behera told newspersons here.

Ms Behera said four acres of land had already been identified for the Museum and it would be set up at a cost of Rs six crore.

While around 10,000 square feet of the museum would be used for handloom as many as 7,000 square feet would be used for handicrafts.

The Minister said tender process for the museum had already started.

Following is from Samaja.

Following is an excerpt from a report in Telegraph.

With more than 1,050 species of finest and richest varieties of cacti and succulents grown in an area of 20,000sqft, the centre — established by the state government — has been evolving many new inter-generic and inter-specific hybrids adding new names to the existing list.

Continuing with the effort to popularise the collection, curation and propagation of cacti among the public, the centre would soon open a new cacti house.

The house is likely to be opened by the last week of this month, the centre’s chief executive officer, A.K Mahapatra said.

The centre already has a series of poly-houses covering an area of 20,000sqft. The new addition would house 500 t0 600 varieties of cacti, he added. Apart from collecting samples from different parts of the world, the centre has many indigenously developed varieties. Out of several varieties of cactus found across the world, Echinocactus grusonii, Gymnocalycium, Mammillaria, Melocactus, Ferocactus, Astrophytum, Sulcorebutia, Opuntia, Parodia and Hildwintera are prized possessions of the centre

Following is an excerpt from a news report in the Telegraph.

Painter Jatin Das’s dream of a museum for traditional and contemporary art in his native Orissa has gone international.

Das was in Washington and New York last week outlining his plans for the J.D. Centre of Art in Bhubaneswar to his American and Indian American fans.

At an interactive evening at the Indian embassy here, hosted by India’s deputy chief of mission Raminder Singh Jassal, with slides of his life’s work, Das said the proposed centre would be the first in India to display both traditional and contemporary art in 14 permanent galleries under one roof.

The Orissa government has allotted an acre of land to the painter, who was born in Mayurbhanj. B.V. Doshi, the famous architect from Ahmedabad and associate of Le Corbusier, has designed the master plan for the ambitious centre.

The painter said he had been dreaming of the project for almost a decade and expected that it would cost Rs 50 crore to make it a reality.

“I have been funding the centre, which has a board and a small staff of six people, with money from my paintings. They are temporarily working out of a house in Bhubaneswar given by the state government,” Das told this correspondent.

But he plans to make international requests for funding and hopes Indian Americans will join in the effort.

When the centre is ready, Das will donate his entire collection of 45 years, including paintings, books and antiquities, to the new venture to be housed in one place.

www.orissalinks.com/orissagrowth/wp-content/uploads/image/20080229a_001101010.jpg

There are two science museums in Orissa:

• Regional Science Center in Bhubaneswar.
• Dhenkanal Science Center
  

They are both part of the BITM (Kolkata) family.

Following is an excerpt from a New Indian Express report on this.

Chief Minister Naveen Patnaik today announced creation of a welfare fund that would cover 56,000 weavers of the State under health insurance scheme.

At a function organised on completion of 50 years of Boyanika, a State handloom weavers cooperative society here, the Chief Minister said a handloom and handicraft museum will be opened at Ekamra Haat.

The Government will provide Rs 40 crore during the 11th Plan period for development of handloom sector.

The package described below are:

• Photo IDS for weavers within the next two years.
• Annual training to improve productivity and skill for 2000 weavers.
•  Apparel design and training centers in Cuttack, Berhampur, Sambalpur, Rourkea and Baripada.
• Development of a fund for the welfare of weavers.
• A raw material bank for handloom materials.
• Integrated project in handloom in Nuapatana.
• Building of 1000 worksheds.
• A handloom museum in Bhubaneswar.

Regional Museum of Natural History (RMNH), Bhubaneswar ( See bottom part of page 4; National museum and other 2 regional museums) was established in 2004. This is the third regional museum of natural history in India, besides the national one in Delhi; the other two regional ones are in Mysore and Bhopal. Following is the special program of RMNH Bhubaneswar for celebrating its 3rd annual day.